RED One Camera

The RED One is a 4k digital film camera from RED Digital Cinema. It offers an unparalleled flexibility to accommodate all types of production styles from cinema to ENG. Utilizing a proprietary 4k super 35mm size sensor, the RED One is able to deliver 4k images at a variety of frame rates. The 12bit sensor produces images in their native RAW format giving you impressive range and unmatched flexibility in post production to manipulate your images.

RED's modular design allows the camera to be configured in a variety of styles. The RED Rails and mounting system allows an almost unlimited amount of accessories to be attached to the camera, or the camera to be attached to a variety of support systems. The RED One Camera offers the use of 35mm sized PL lens, as well as adapters for 2/3 inch video & Nikon still lens. This allows the camera to utilize the vast selection of lens currently made and to allow you to use lens that best suit your production.

RED's Mysterium sensor offers impressive dynamic range and color fidelity to the point that it is equal to, or surpasses traditional 35mm film. Not looking for 4k images... the RED One and REDCINE software support down-sampling to common HD formats such as 1080p and 720p.


RED Workflow

RED's workflow starts by shooting footage to either Compact Flash (CF Cards), the RED Drive (320GB HDD), or other recording solutions. The footage is then processed by REDCINE - Red's application to scale, adjust white point, and export to your format of choice. Final Cut Pro 6 will natively edit redcode raw files in 2k mode making for an even easier post process. Finally export from either REDCINE or your NLE and into color-correction suite such as Scratch (natively handles 4k RED footage), Apple Color (supports 2k RED footage), or application of your choice to do final corrections.

It is as easy as that. RED offers a simple and all digital post process to help you fully realize your images.